Brad Armstrong has a habit of surprising you. Take last year. His gothic fantasy "Fallen" pulled in sixteen AVN nods for Wicked Pictures, while "Race 2 Race," his interracial take on a video game vibe, picked up four more. "Fallen" grabbed Best Director, Best Actor, and Best Actress, while "Race 2 Race" landed in the Best Interracial slot. "Chop Shops Chicas" also slid into the Latin category. Add Director of the Year, and the nods speak for themselves. "Coming Home" had already proved he could strip stories down to raw realism. "Fallen" flips that, bringing the supernatural into sharp focus. Not many adult dramas do it so cleanly. He writes, directs, designs, and still steps in front of the lens. The old Wiccan fairytale "The Craving" proved it last year. The same year, "Coming Home" stacked thirteen nominations and walked away with two trophies for Armstrong and Barrett Blade. He started behind the camera after years performing. Self-funded his first film, met Wicked's Steve Orenstein at a trade show, and signed in 96. Titles like "Conquest" and "Flashpoint" showed early promise. "Dream Quest" made history by dropping on VHS and DVD at the same time. "Euphoria" took Best Feature and Best Director from both AVN and AFW, plus Video of the Year at XRCO. "Falling from Grace" brought ten nominations and wins for Armstrong and screenplay. Each time he built the sets and clothes himself. "The Collector" earned Best Art Direction and Script. "Fluff & Fold" handed jessica drake her actress win. Later came "Sold," "Eternity," and the bounty-hunter showdown "Manhunters" that swept Best Film, plus Best Actress, Best Director, and that intense Best Anal Sex Scene. "FUCK" took five wins in the vignette lane, cinematography included. His shooter "Curse Eternal" nabbed fifteen nods. From "Flashpoint" to the present, Armstrong knows how to frame both light and lust. The man who made "Fallen" keeps climbing.
Brad Armstrong has a habit of surprising you. Take last year. His gothic fantasy "Fallen" pulled in sixteen AVN nods for Wicked Pictures, while "Race 2 Race," his interracial take on a video game vibe, picked up four more. "Fallen" grabbed Best Director, Best Actor, and Best Actress, while "Race 2 Race" landed in the Best Interracial slot. "Chop Shops Chicas" also slid into the Latin category. Add Director of the Year, and the nods speak for themselves. "Coming Home" had already proved he could strip stories down to raw realism. "Fallen" flips that, bringing the supernatural into sharp focus. Not many adult dramas do it so cleanly. He writes, directs, designs, and still steps in front of the lens. The old Wiccan fairytale "The Craving" proved it last year. The same year, "Coming Home" stacked thirteen nominations and walked away with two trophies for Armstrong and Barrett Blade. He started behind the camera after years performing. Self-funded his first film, met Wicked's Steve Orenstein at a trade show, and signed in 96. Titles like "Conquest" and "Flashpoint" showed early promise. "Dream Quest" made history by dropping on VHS and DVD at the same time. "Euphoria" took Best Feature and Best Director from both AVN and AFW, plus Video of the Year at XRCO. "Falling from Grace" brought ten nominations and wins for Armstrong and screenplay. Each time he built the sets and clothes himself. "The Collector" earned Best Art Direction and Script. "Fluff & Fold" handed jessica drake her actress win. Later came "Sold," "Eternity," and the bounty-hunter showdown "Manhunters" that swept Best Film, plus Best Actress, Best Director, and that intense Best Anal Sex Scene. "FUCK" took five wins in the vignette lane, cinematography included. His shooter "Curse Eternal" nabbed fifteen nods. From "Flashpoint" to the present, Armstrong knows how to frame both light and lust. The man who made "Fallen" keeps climbing.